Home > Pro Audio
Pro Audio
Microphones - Basic Mic Choices & Techniques PDF Print E-mail
Pro Audio - Microphones
Written by Alan Ratcliffe   

FOR ORIGINAL SOURCE CLICK HERE

n the following article I will give you a good idea of how to mic various popular instruments, as well as recommended mics for the job. These tips apply to both live and studio sound.

Remember, nothing is set in stone and these should be used as general guidelines and starting points, rather than the way things must be done. Many a good recording has been done using different mics and techniques from those mentioned.

Read more...
 
Getting Started With Computer Recording PDF Print E-mail
Pro Audio - Computer Recording
Written by Unknown   

Original Source:http://www.acousticfingerstyle.com/ComputerRecording1.htm

Welcome! This is the first installment of a four-part series exploring computer-based recording and putting together an effective rig. The purpose of this guide is to help musicians turn their home computer into a recording workstation with the least confusion and fuss possible. There are four questions we will address:

Getting Started With Computer Recording
1. What do you want to record?
2. What does your computer need?
3. What audio capabilities and hardware do you need?
4. What are your software needs?

We'll wade through the various computer recording interfaces and tools out there and help you discover which setup fits your needs best.

1. What Do You Want To Record?
The desire to record your musical output is a natural impulse that most musicians feel at some point in their development. If you already own a computer it only makes sense to start recording, especially with the abundance of great recording gear that can turn it into a potent musical tool in a hurry.

Whether you simply want to get down a new song idea before it fades into the nether regions of your subconscious or have designs on producing masterpieces for adoration through the ages, a

Read more...
 
An Interview With Vintage Microphone Collector Stan Coutant PDF Print E-mail
Pro Audio - Microphones
Written by Maribeth Keane, Collectors Weekly Staff   

Original Source:http://www.collectorsweekly.com/articles/an-interview-with-vintage-microphone-collector-stan-coutant/

 Poly-directional ribbon RCA Type 77-DX that was made during the late 40s.

In this interview, Stan Coutant talks about the history of the microphone and provides background information for vintage mic collectors. Based in Sierra Madre, California, Stan can be reached through his vintage microphones website, Coutant.org, which is a member of our Hall of Fame.

I started my website on vintage microphones in 2001, for a couple of reasons. One was for the benefit of my students. I taught audio controls and master control operations for radio broadcasting and our textbook didn’t cover many of the older microphones, especially the older RCA microphones that were used in the 1930s, and are still used today in broadcasting and music recording studios. The second thing that inspired it was my 90-year-old mother who said, “I thought all microphones were alike.”

I focus on broadcasting and music recording (studio recording) microphones, not so much home entertainment or movie making, although a lot of the microphones could be used for that.

Collectors Weekly: What’s the story of the microphone?

Poly-directional ribbon RCA Type 77-DX that was made during the late 40s.

Last Updated on Friday, 17 July 2009 19:06
Read more...
 
Pressure Zone Microphones - History and other information PDF Print E-mail
Pro Audio - Microphones
Written by Unknown   

Original Source:http://www.uneeda-audio.com/pzm/

In 1982, Ron Wickersham and Ed Long were granted US Patent 4,361,736, "Pressure recording process and device."  

A process for transducing acoustical signals, including music, speech, noise, etc. which embodies a method which eliminates the usual discrimination between the frequency spectra of the direct and random incidence acoustical components of the sound being transduced and allows the frequency range of interest to be controlled by adjusting the spacing between the diaphragm or major entry port of an acoustical to electrical transducer and a boundary. The invention requires that the diaphragm or major entry port of the transducer be oriented substantially parallel with and proximate to a boundary. A formula is disclosed by which the proximate relationships between the diaphragm and a boundary can be determined for any desired frequency range, which eliminates the discrimination between the frequency spectra of the direct and random incidence acoustical signals on the transducer while allowing the rejection, at the transducer, of unwanted higher frequency acoustical signals, by means of acoustical cancellation, which causes a filtering action without the undesirable effects of non-uniform phase or group delay caused by high order, sharp cut-off filters normally employed to reject these higher frequency signals. In the device, an acoustical-to-electrical transducer, having a uniform pressure versus frequency characteristic in the desired frequency range, is mounted with its diaphragm substantially parallel with and proximate to a surface forming part of a boundary and supported by a structure which is adjustable, or fixed during manufacture, to control the proximate distance between the diaphragm and its substantially parallel boundary. A surface connected to the adjustable or fixed structure, which forms part of a boundary, can also be used when it is only slightly raised from the boundary by shock mountings to mechanically isolate it from the boundary under which circumstances it functions as part of the larger substantially parallel boundary.
Read more...
 
Looking For A Professional Microphone? PDF Print E-mail
Pro Audio - Microphones
Written by Unknown   

Original Source:http://microphoneshq.com/professionalmicrophone.php

There are many reasons to have a professional microphone. Singers, people who do interviews, musicians, those in the theater and even pastors and others in churches need a good professional microphone.

What should you look for in a professional microphone and where should you look? What you should look for in a professional microphone may vary somewhat depending on what you will be using the microphone for. Where to look for the professional microphone may be an easier question to answer so we will start with that.

Read more...
 
«StartPrev12NextEnd»

Page 1 of 2